1) A good man/woman weathering bad times (ex. Japanese manga classic Lone Wolf and Cub )
2) Children navigating the world of adults (ex. E. T. the Extraterrestrial )
3) Evil People doing bad things for righteous reasons (ex. Kill Bill Vols. 1 and 2 )
and my favorite
4) the slow self corrupting of a noble soul (paradigmatic ex. The Godfather ).
And so I am enmeshed in the story of Walter White/Heisenberg (nom de drugs) high school chemistry teacher cum meth genius (or as series creator Vince Gilligan states "Turn Mr. Chips into Scarface) and his struggles to survive and command the circumstances of his two lives.I am not sure if what I enjoy is the tragedy of such a tale or the adventures in transformation nature of it.
The tragedy of course is the witnessing of the good, the pure and the noble being dragged down in to the reality of living. Of course we may enjoy the ride because, let's be honest the "good, the pure and the noble" irritate the shit out of us because those are rare qualities among bustling humanity (Fuck em' why should they be superior!). But of course what we really are doing is grieving for the loss of the possibility of these qualities among humanity. The world is a hard place and one that we want to be better through the presence of better people. When Walter White is affected by the horrors he witnesses and then later on logically, necessarily commits them, we watch him slowly fall prey to warped but noble intentions. There is something frightening about good intentions going to shit because they blind you because we all have good intentions and are subject to getting sucked into that tunnel vision. It is more than believing that the means justify the ends but the danger of being consumed by the details of the ends and losing the larger picture. It's not the Devil in the details, it is Hell itself.
The other side is the adventure of the character's transformation. Character arcs, dynamic personas are engaging because it ads dynamism to the story, the characters changes affect the plot, tone and possibilities of the story. Walter White's transformation into cold hearted, cooly logical, bloody handed Heisenberg is all the more exciting because as actor Bryan Cranston tells us
Walter also gives us a sense of what happens when the soul turns inside out; when it twists, in spite of the power of fear to restrain the more base impulse to conquer and crush. Walter has been swallowing his anger forever, and needs something else. The initial need for money becomes overpowered by Walt's addiction to his newly acquired power, on the backs of others, in spite of his superior skills in chemistry. He wants to be Gus, but can he be? We are disgusted by him, yet cannot stop witnessing his sinister descent. Do I buy season for on iTunes? mmmmmmm......
ReplyDeleteGreat post! I also think that one of the unspoken themes of the show is that White has always had the potential to wield power. One of the flashback scenes to his his cool chemistry grad student days shows him as a confident young man on the move. And one of the mysteries of the show is how he got so beaten down. I think that he is reveling in his new found power, fame (the name Heisenberg spoken in hushed almost reverent tones in the drug world), and of course the money in ways that should shock him, but he seems serenely comfortable in that role. The genius of the show, is that other than the by-the-second-season-we-all-know-they're-just-words "taking care of my family," he never really tries to rationalize his behavior. And that "I'm the guy at the door" moment might just be one of the honest lines in the history of television.
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